“People where you live,” the little prince said, “grow five thousand roses in one garden… yet they don’t find what they’re looking for…
They don’t find it,” I answered.
And yet what they’re looking for could be found in a single rose, or a little water…”
Of course,” I answered.
And the little prince added, “But eyes are blind. You have to look with the heart.”
– Antoine de Saint-Exupéry, Le Petit Prince
There have been a spate of rose-dominated fragrance releases recently. These include Vero Profumo’s Rozy, which has been the talk of pretty much the entire blogosphere. I must confess that even at the point of writing this, I have yet to try it… so yes, I am a blogging deviant and you may stone me. But to make up for it, I’m working on a special review of Vero’s Mito Voile d’Extrait, which includes maenads and yes, ‘erotic’ poetry. Yes, yes, it’s been out for ages already, but what can I do – I do write rather slowly and only when inspiration strikes!
Anyway, I decided to review another rosy perfume instead – Ann Gerard’s Rose Cut. I was sent a sample of it sometime back by the lovely folk of Bloom Perfumery (thank you!). Since then, I’ve worn it on and off to determine how I truly feel about it. Now Fragrantica lists Rose Cut as a chypre floral, but I’m going to go out on a limb and state flatly that it ain’t a chypre at all. It’s neither a proper chypre nor a pseudo-chypre nor even vaguely chypre-ish. No. Rose Cut belongs, through and through, to the genus also known as the rose-chouli, to which other notable species include Juliette Has a Gun’s Citizen Queen (more fruity vulgar) and Frédéric Malle’s Portrait of a Lady (more incense, more heft, and less restraint). Does the world need another rose-chouli perfume? In short, my answer is emphatically: ‘Yes.’